Fixer
by Bernard Malamud; Introduction by Jonathan Safran Foer

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ISBN-10:   0374529388
ISBN-13:   9780374529383
Publisher:   Macmillan; Farrar, Straus and Giroux
Category:   Young Adults
Pub. Date:   May 2004
Pages:   352
Format:   Paperback


Subjects
AMERICAN FICTION (FICTIONAL WORKS BY ONE AUTHOR)


Description/Notes
Set in Kiev in 1911 during a period of heightened anti-Semitism, the novel tells the story of Yakov Bok, a Jewish handyman blamed for the brutal murder of a young Russian boy. Bok leaves his village to try his luck in Kiev, and after denying his Jewish identity, finds himself working for a member of the anti-Semitic Black Hundreds Society.
A classic that won Malamud both the Pulitzer Prize and the National Book Award
'The Fixer (1966) is Bernard Malamud's best-known and most acclaimed novel -- one that makes manifest his roots in Russian fiction, especially that of Isaac Babel.
Set in Kiev in 1911 during a period of heightened anti-Semitism, the novel tells the story of Yakov Bok, a Jewish handyman blamed for the brutal murder of a young Russian boy. Bok leaves his village to try his luck in Kiev, and after denying his Jewish identity, finds himself working for a member of the anti-Semitic Black Hundreds Society. When the boy is found nearly drained of blood in a cave, the Black Hundreds accuse the Jews of ritual murder. Arrested and imprisoned, Bok refuses to confess to a crime that he did not commit.

'Brilliant [and] harrowing . . . Historical reality combined with fictional skill and beauty of a high order make [it] a novel of startling importance.' ---Elizabeth Hardwick, Vogue 'What makes it a great book, above and beyond its glowing goodness, has to do with something else altogether: its necessity...This novel, like all great novels reminds us that we must do something.' -- Jonathan Safran Foer, author of Everything Is Illuminated 'The Fixer deserves to rank alongside the great Jewish-American novels of Saul Bellow and Philip Roth.' --The Independent (London) 'A literary event in any season.' --Eliot Fremont-Smith, The New York Times
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