Echo Maker
by Richard Powers

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ISBN-10:   0374146357
ISBN-13:   9780374146351
Publisher:   Macmillan; Farrar, Straus and Giroux
Category:   Young Adults
Pub. Date:   October 2006
Pages:   451
Format:   Hardcover; Cloth over boards


Subjects
NEBRASKA_FICTION
FICTION_MEDICAL


Description/Notes
On a winter night on a remote Nebraska road, 27-year-old Mark Schluter flips his truck in a near-fatal accident. His older sister Karin, his only near kin, returns reluctantly to their hometown to nurse Mark back from a traumatic head injury. But when he emerges from a protracted coma, Mark believes that this woman–who looks, acts, and sounds just like his sister–is really an identical impostor. Shattered by her brother’s refusal to recognize her, Karin contacts the cognitive neurologist Gerald Weber, famous for his case histories describing the infinitely bizarre worlds of brain disorder. Weber recognizes Mark as a rare case of Capgras Syndrome, a doubling delusion, and eagerly investigates. What he discovers in Mark slowly undermines even his own sense of being. Meanwhile, Mark, armed only with a note left by an anonymous witness, attempts to learn what happened the night of his inexplicable accident. The truth of that evening will change the lives of all three beyond recognition. nbsp; Set against the Platte River’s massive spring migrations–one of the greatest spectacles in nature–The Echo Maker is a gripping mystery that explores the improvised human self and the even more precarious brain that splits us from and joins us to the rest of creation.
Praise for Richard Powers: nbsp; 'Powers may be America's most ambitious novelist.' —Kevin Berger, San Francisco Chronicle Book Review nbsp; 'To read his work is to be wowed by his verbal muscularity. . .admirable. . .wonderfully original.' —Meg Wolitzer, The New York Times Book Review nbsp; 'Richard Powers is the child prodigy of American fiction . . . by 34 he had published three novels equaling the intellectual rigor and range of that '60s prodigy, Thomas Pynchon.' —Tom LeClair, USA Today nbsp; 'One of our few indispensable literary talents.' —Charles B. Harris, Review of Contemporary Fiction nbsp; 'Powers may be the smartest novelist writing today.' —Albert Mobilio, The Village
On a remote road in Nebraska, 27-year-old Mark Schluter flips his truck in a near fatal accident. His older sister, Karin returns reluctantly to their hometown to nurse Mark back from a traumatic head injury. But when he emerges from a protracted coma, Mark believes that this woman is really an identical impostor.
Part One Cranes keep landing as night falls. Ribbons of them roll down, slack against the sky. They float in from all compass points, in kettles of a dozen, dropping with the dusk. Scores of Grus canadensis settle on the thawing river. They gather on the island flats, grazing, beating their wings, trumpeting: the advance wave of a mass evacuation. More birds land by the minute, the air red with calls. nbsp; A neck stretches long; legs drape behind. Wings curl forward, the length of a man. Spread like fingers, primaries tip the bird into the wind’s plane. The blood-red head bows and the wings sweep together, a cloaked priest giving benediction. Tail cups and belly buckles, surprised by the upsurge of ground. Legs kick out, their backward knees flapping like broken landing gear. Another bird plummets and stumbles forward, fighting for a spot in the packed staging ground along those few miles of water still clear and wide enough to pass as safe. nbsp; Twilight comes early, as it will for a few more weeks. The sky, ice blue through the encroaching willows and cottonwoods, flares up, a brief rose, before collapsing to indigo. Late February on the Platte, and the night’s chill haze hangs over this river, frosting the stubble from last fall that still fills the bordering fields. The nervous birds, tall as children, crowd together wing by wing on this stretch of river, one that they’ve learned to find by memory. nbsp; They converge on the river at winter’s end as they have for eons, carpeting the wetlands. In this light, something saurian still clings to them: the oldest flying things on earth, one stutter-step away from pterodactyls. As darkness falls for real, it’s a beginner’s world again, the same evening as that day sixty million years ago when this migration began. nbsp; Half a million birds—four-fifths of all the sandhill cranes on earth—home in on this river. They trace the Central Flyway, an hourglass laid over the continent. They push up from New Mexico, Texas, and Mexico, hundreds of miles each day, with thousands more ahead before they reach their remembered nests. For a few weeks, this stretch of river shelters the miles-long flock. Then, by the start of spring, they’ll rise and head away, feeling their way up to Sas-katchewan, Alaska, or beyond. nbsp; This year’s flight has always been. Something in the birds retraces a route laid down centuries before their parents showed it to them. And each crane recalls the route still to come. nbsp; Tonight’s cranes mill again on the braided water. For another hour, their massed calls carry on the emptying air. The birds flap and fidget, edgy with migration. Some tear up frosty twigs and toss them in the air. Their jitters spill over into combat. At last the sandhills settle down into wary, stilt-legged sleep, most standing in the water, a few farther up in the stubbled fields. nbsp; A squeal of brakes, the crunch of metal on asphalt, one broken scream and then another rouse the flock. The truck arcs through the air, corkscrewing into the field. A plume shoots through the birds. They lurch off the ground, wings beating. The panicked carpet lifts, circles, and falls again. Calls that seem to come from creatures twice their size carry miles before fading. nbsp; By morning, that sound never happened. Again there is only here, now, the river’s braid, a feast of waste grain that will carry these flocks north, beyond the Arctic Circle. As first light breaks, the fossils return to life, testing their legs, tasting the frozen air, leaping free, bills skyward and throats open. And then, as if the night took nothing, forgetting everything but this moment, the dawn sandhills start to dance. Dance as they have since before this river started. nbsp; nbsp; Her brother needed her. Th
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